Yuan-Chia Cheng, Zu-Yun Shiau, Fu-En Yang, Yu-Chiang Frank Wang
To understand how deep neural networks perform classification predictions, recent research attention has been focusing on developing techniques to offer desirable explanations. However, most existing methods cannot be easily applied for semantic segmentation; moreover, they are not designed to offer interpretability under the multi-annotator setting. Instead of viewing ground-truth pixel-level labels annotated by a single annotator with consistent labeling tendency, we aim at providing interpretable semantic segmentation and answer two critical yet practical questions: "who" contributes to the resulting segmentation, and "why" such an assignment is determined. In this paper, we present a learning framework of Tendency-and-Assignment Explainer (TAX), designed to offer interpretability at the annotator and assignment levels. More specifically, we learn convolution kernel subsets for modeling labeling tendencies of each type of annotation, while a prototype bank is jointly observed to offer visual guidance for learning the above kernels. For evaluation, we consider both synthetic and real-world datasets with multi-annotators. We show that our TAX can be applied to state-of-the-art network architectures with comparable performances, while segmentation interpretability at both levels can be offered accordingly.
Yuan-Chia Cheng, Ci-Siang Lin, Fu-En Yang, Yu-Chiang Frank Wang
Few-shot classification aims to carry out classification given only few labeled examples for the categories of interest. Though several approaches have been proposed, most existing few-shot learning (FSL) models assume that base and novel classes are drawn from the same data domain. When it comes to recognizing novel-class data in an unseen domain, this becomes an even more challenging task of domain generalized few-shot classification. In this paper, we present a unique learning framework for domain-generalized few-shot classification, where base classes are from homogeneous multiple source domains, while novel classes to be recognized are from target domains which are not seen during training. By advancing meta-learning strategies, our learning framework exploits data across multiple source domains to capture domain-invariant features, with FSL ability introduced by metric-learning based mechanisms across support and query data. We conduct extensive experiments to verify the effectiveness of our proposed learning framework and show learning from small yet homogeneous source data is able to perform preferably against learning from large-scale one. Moreover, we provide insights into choices of backbone models for domain-generalized few-shot classification.
Yu-Hua Chen, Yen-Tung Yeh, Yuan-Chiao Cheng, Jui-Te Wu, Yu-Hsiang Ho, Jyh-Shing Roger Jang, Yi-Hsuan Yang
Replicating analog device circuits through neural audio effect modeling has garnered increasing interest in recent years. Existing work has predominantly focused on a one-to-one emulation strategy, modeling specific devices individually. In this paper, we tackle the less-explored scenario of one-to-many emulation, utilizing conditioning mechanisms to emulate multiple guitar amplifiers through a single neural model. For condition representation, we use contrastive learning to build a tone embedding encoder that extracts style-related features of various amplifiers, leveraging a dataset of comprehensive amplifier settings. Targeting zero-shot application scenarios, we also examine various strategies for tone embedding representation, evaluating referenced tone embedding against two retrieval-based embedding methods for amplifiers unseen in the training time. Our findings showcase the efficacy and potential of the proposed methods in achieving versatile one-to-many amplifier modeling, contributing a foundational step towards zero-shot audio modeling applications.
Yen-Tung Yeh, Yu-Hua Chen, Yuan-Chiao Cheng, Jui-Te Wu, Jun-Jie Fu, Yi-Fan Yeh, Yi-Hsuan Yang
Neural network models for guitar amplifier emulation, while being effective, often demand high computational cost and lack interpretability. Drawing ideas from physical amplifier design, this paper aims to address these issues with a new differentiable digital signal processing (DDSP)-based model, called ``DDSP guitar amp,'' that models the four components of a guitar amp (i.e., preamp, tone stack, power amp, and output transformer) using specific DSP-inspired designs. With a set of time- and frequency-domain metrics, we demonstrate that DDSP guitar amp achieves performance comparable with that of black-box baselines while requiring less than 10\% of the computational operations per audio sample, thereby holding greater potential for usages in real-time applications.
Ci-Siang Lin, Yuan-Chia Cheng, Yu-Chiang Frank Wang
Aiming at recognizing images of the same person across distinct camera views, person re-identification (re-ID) has been among active research topics in computer vision. Most existing re-ID works require collection of a large amount of labeled image data from the scenes of interest. When the data to be recognized are different from the source-domain training ones, a number of domain adaptation approaches have been proposed. Nevertheless, one still needs to collect labeled or unlabelled target-domain data during training. In this paper, we tackle an even more challenging and practical setting, domain generalized (DG) person re-ID. That is, while a number of labeled source-domain datasets are available, we do not have access to any target-domain training data. In order to learn domain-invariant features without knowing the target domain of interest, we present an episodic learning scheme which advances meta learning strategies to exploit the observed source-domain labeled data. The learned features would exhibit sufficient domain-invariant properties while not overfitting the source-domain data or ID labels. Our experiments on four benchmark datasets confirm the superiority of our method over the state-of-the-arts.
Yu-Hua Chen, Yuan-Chiao Cheng, Yen-Tung Yeh, Jui-Te Wu, Yu-Hsiang Ho, Jyh-Shing Roger Jang, Yi-Hsuan Yang
Electric guitar tone modeling typically focuses on the non-linear transformation from clean to amplifier-rendered audio. Traditional methods rely on one-to-one mappings, incorporating device parameters into neural models to replicate specific amplifiers. However, these methods are limited by the need for specific training data. In this paper, we adapt a model based on the previous work, which leverages a tone embedding encoder and a feature wise linear modulation (FiLM) condition method. In this work, we altered conditioning method using a hypernetwork-based gated convolutional network (GCN) to generate audio that blends clean input with the tone characteristics of reference audio. By extending the training data to cover a wider variety of amplifier tones, our model is able to capture a broader range of tones. Additionally, we developed a real-time plugin to demonstrate the system's practical application, allowing users to experience its performance interactively. Our results indicate that the proposed system achieves superior tone modeling versatility compared to traditional methods.
Yu-Hua Chen, Yuan-Chiao Cheng, Yen-Tung Yeh, Jui-Te Wu, Jyh-Shing Roger Jang, Yi-Hsuan Yang
Transcribing electric guitar recordings is challenging due to the scarcity of diverse datasets and the complex tone-related variations introduced by amplifiers, cabinets, and effect pedals. To address these issues, we introduce EGDB-PG, a novel dataset designed to capture a wide range of tone-related characteristics across various amplifier-cabinet configurations. In addition, we propose the Tone-informed Transformer (TIT), a Transformer-based transcription model enhanced with a tone embedding mechanism that leverages learned representations to improve the model's adaptability to tone-related nuances. Experiments demonstrate that TIT, trained on EGDB-PG, outperforms existing baselines across diverse amplifier types, with transcription accuracy improvements driven by the dataset's diversity and the tone embedding technique. Through detailed benchmarking and ablation studies, we evaluate the impact of tone augmentation, content augmentation, audio normalization, and tone embedding on transcription performance. This work advances electric guitar transcription by overcoming limitations in dataset diversity and tone modeling, providing a robust foundation for future research.