Lucas Mourot, François Le Clerc, Cédric Thébault, Pierre Hellier
Human Pose Estimation is a low-level task useful forsurveillance, human action recognition, and scene understandingat large. It also offers promising perspectives for the animationof synthetic characters. For all these applications, and especiallythe latter, estimating the positions of many joints is desirablefor improved performance and realism. To this purpose, wepropose a novel method called JUMPS for increasing the numberof joints in 2D pose estimates and recovering occluded ormissing joints. We believe this is the first attempt to addressthe issue. We build on a deep generative model that combines aGenerative Adversarial Network (GAN) and an encoder. TheGAN learns the distribution of high-resolution human posesequences, the encoder maps the input low-resolution sequencesto its latent space. Inpainting is obtained by computing the latentrepresentation whose decoding by the GAN generator optimallymatches the joints locations at the input. Post-processing a 2Dpose sequence using our method provides a richer representationof the character motion. We show experimentally that thelocalization accuracy of the additional joints is on average onpar with the original pose estimates.
Adèle Colas, Florent Guiotte, Fabien Danieau, François Le Clerc, Quentin Avril
We introduce Fat Pad cages for posing facial meshes. It combines cage representation and facial anatomical elements, and enables users with no artistic skill to quickly sketch realistic facial expressions. The model relies on one or several cage(s) that deform(s) the mesh following the human fat pads map. We propose a new function to filter Green Coordinates using geodesic distances preventing global deformation while ensuring smooth deformations at the borders. Lips, nostrils and eyelids are processed slightly differently to allow folding up and opening. Cages are automatically created and fit any new unknown facial mesh. To validate our approach, we present a user study comparing our Fat Pad cages to regular Green Coordinates. Results show that Fat Pad cages bring a significant improvement in reproducing existing facial expressions.
Lucas Mourot, Ludovic Hoyet, François Le Clerc, Pierre Hellier
Human motion synthesis and editing are essential to many applications like film post-production. However, they often introduce artefacts in motions, which can be detrimental to the perceived realism. In particular, footskating is a frequent and disturbing artefact requiring foot contacts knowledge to be cleaned up. Current approaches to obtain foot contact labels rely either on unreliable threshold-based heuristics or on tedious manual annotation. In this article, we address foot contact label detection from motion with a deep learning. To this end, we first publicly release UnderPressure, a novel motion capture database labelled with pressure insoles data serving as reliable knowledge of foot contact with the ground. Then, we design and train a deep neural network to estimate ground reaction forces exerted on the feet from motion data and then derive accurate foot contact labels. The evaluation of our model shows that we significantly outperform heuristic approaches based on height and velocity thresholds and that our approach is much more robust on motion sequences suffering from perturbations like noise or footskate. We further propose a fully automatic workflow for footskate cleanup: foot contact labels are first derived from estimated ground reaction forces. Then, footskate is removed by solving foot constraints through an optimisation-based inverse kinematics (IK) approach that ensures consistency with the estimated ground reaction forces. Beyond footskate cleanup, both the database and the method we propose could help to improve many approaches based on foot contact labels or ground reaction forces, including inverse dynamics problems like motion reconstruction and learning of deep motion models in motion synthesis or character animation. Our implementation, pre-trained model as well as links to database can be found at https://github.com/InterDigitalInc/UnderPressure.
Lucas Mourot, Ludovic Hoyet, François Le Clerc, Pierre Hellier
Motion retargeting is the long-standing problem in character animation that consists in transferring and adapting the motion of a source character to another target character. A typical application is the creation of motion sequences from off-the-shelf motions by transferring them onto new characters. Motion retargeting is also promising to increase interoperability of existing animation systems and motion databases, as they often differ in the structure of the skeleton(s) considered. Moreover, since the goal of motion retargeting is to abstract and transfer motion dynamics, effective solutions might provide expressive and powerful human motion models in which operations such as cleaning or editing are easier. In this article, we present a novel neural network architecture for retargeting that extracts an abstract representation of human motion agnostic to skeleton topology and morphology. Based on transformers, our model is able to encode and decode motion sequences with variable morphology and topology -- extending the current scope of retargeting -- while supporting skeleton topologies not seen during the training phase. More specifically, our model is structured as an autoencoder, and encoding and decoding are separately conditioned on skeleton templates to extract and control morphology and topology. Beyond motion retargeting, our model has many applications since our abstract representation is a convenient space to embed motion data from different sources. It may potentially be benefical to a number of data-driven methods, allowing them to combine scarce specialised motion datasets (e.g. with style or contact annotations) and larger general motion datasets, for improved performance and generalisation ability. Moreover, we show that our model can be useful for other applications beyond retargeting, including motion denoising and joint upsampling.